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Rum: Its History, Manufature and Styles

Cocktail and spirits writer Michael Dietsch has been doing a wonderful series for the Serious Eats website to introduce their readers to serious drinking. Along with learning about new and classic cocktails they might not have tried yet, the SE readers are also getting some basic spirits education.

Are you a rum fan? (Well, Caña regulars are, natch.) What do you know about this delectable spirit? Surely more than that idiot in the instructional video that said, "rum is a liquor that comes in many different colors." Learn something new or brush up on what you already know in Mike Dietsch's primer on rum, its history, manufacture and styles.

Now, have a Ti Punch, a Daiquiri, an El Presidente or a Zombie! (By the way, a while back John Coltharp made us a Scarlet Ibis Daiquiri with two barspoons of Averna. This is a super, super good thing. We make them at home all the time. You should too.)

CLASS Magazine profiles Eric Alperin

Simon Difford's always-superb magazine CLASS (now finally available online!) returns to L.A. for a lovely profile of our own Eric Alperin of The Varnish.

I never looked down my nose at the LA bar scene though I knew that there wasn't much of a cocktail culture here. There wasn't really a programme anywhere but there was a lot of "this bartender's good, that bartender's good". That's how I met  Marcos Tello - I went to Seven Grand, asked for egg white in my whisky sour and he came over to ask why I asked. A month later, Damian Windsor, Cedd Moses, Marcos and I and a bunch of others went on a roadtrip to San Francisco. I like to joke that that trip changed LA cocktail culture.

DineLA on Bar + Kitchen

DineLA has done a lovely little feature on a terrific little venue that I'm sure has become a favorite of many of you (as it is mine) Bar | Kitchen at the O Hotel in Downtown LA. Great food, great drinks and great people -- visit soon and see for yourself if you haven't already!

 

Last Updated on Wednesday, 18 January 2012 18:48

Pictures form November's Sporting Life Meeting

Here are some photos from November's Sporting Life Meeting at Thirsty Crow sponsored by Maker's Mark!
Apologies for the photo quality. It was dark and I arrived late.



Last Updated on Sunday, 11 December 2011 03:55

Pictures from October's Sporting Life Meeting

Here are some photos from October's Sporting Life Meeting at SoHo House sponsored by Martini & Rossi!



Pictures from September's Sporting Life Meeting

Here are some photos from September's Sporting Life Meeting at Harvard and Stone sponsored by Bulleit Rye!



Pictures from August's Sporting Life Meeting

Here's a slideshow of photos from August's Sporting Life meeting at Picca Restaurant, with cocktails by Julian Cox and crew, sponsored by Macchu Pisco. Tatsu usually does the crowd shots but he was away on Costa Rica, poor thing, so my little point-and-shoot had to suffice. He's better at these than I am, but you get the idea ... a spendid time was had by all!

Last Updated on Saturday, 10 September 2011 00:37

Pictures from July's Sporting Life Meeting

Here are some photos from July's Sporting Life Meeting at A-Frame sponsored by Illegal Mezcal.



Tales of the Cocktail Sneak Preview: Sodatender or Barjerk? Lost Secrets Revealed?

Last year I had the best Ramos Gin Fizz I’d ever had in my life.

As a New Orleanian I’ve had a lot of ‘em, good and bad. (The nadir was the one at an unnamed restaurant which should have known better; it had so much orange flower water in it that it tasted like hand soap.) I’m thrilled to see the drink being made very well around the country thanks to the craft cocktail renaissance, but my favorite place to get them is in New Orleans. It’s part of what makes the city feel like home.

This particularly stunning Fizz was made at Bar UnCommon in the Père Marquette Hotel, and was made by Chris McMillian, unsurprisingly. Chris is a consummate bartender — methodical and deliberate, making perfect drinks, and entertaining you with tales and history as he does it. This one, though, this one …

Chris had been trying some new things out on me, and we’d had some classics, and even though it was late at night and I do tend to enjoy this particular drink earlier in the day, I was just in the mood. “Could you make me a Ramos?” I asked.

“Coming right up!”

I continued chatting with my friends, not really watching what the bartender was doing, oddly enough, as bartender-watching is something I frequently do. I noticed that he wasn’t shaking the egg white for nearly as long as I’ve seen other bartenders do it, though, and I began to try to pay more attention. The conversation also demanded my attention, so I wasn’t able to closely follow what Chris was doing, but I recall there being a bit of soda already in the glass as he strained the drink, agitating it gently with a barspoon as the glass filled.

He placed the drink in front of me, and I took a sip of what was the most spectacular Ramos Gin Fizz I had ever tasted.

It was perfect. Not only the balance of flavor, but the texture … holy hell, the texture was magnificent. Silky and smooth and completely emulsified, almost like very soft peak meringue, but not just on top. This emulsified texture remained consistent all the way to the bottom of the drink, with no separation at all, until I slurped the very last drops of it through the straw. Even the best Ramos Fizzes I’ve had separated after a bit. Not this one.

I had to gush. “Chris, this is amazing! I caught a few glimpses of you making it — how’d you get it like this?”

Chris replied that after all these years making them in the usual way, he had recently completely changed his technique after reading Darcy O’Neil’s book, Fix the Pumps. “Read it if you haven’t,” he said with a twinkle in his eye, “and you’ll see how I did it.”

Intrigued yet?

Darcy is a bartender and trained chemist from Ontario, Canada whose aforementioned self-published book is a history of the American soda fountain, its rise and fall, and the myriad secrets of the sodajerk — many of which were nearly lost to history (when’s the last time you saw a full-fledged, old-fashioned soda fountain?) and nearly all of which are incredibly useful to the modern bartender.

Along with the esteemed David Wondrich Darcy will be presenting a seminar called “Sodatender or Barjerk?” in which they’ll review this history, techniques of the sodajerk that the bartender can use (see above), and how the techniques of the bartender — many of whom were out of work 90 years ago due to Prohibition — came into play at the soda fountain.

Want to learn some fascinating history and some great techniques to make your drinks even more amazing? If so, this seminar is not to be missed. Saturday, July 23 at 12:30pm, La Nouvelle Orleans Ballroom, Hotel Monteleone. Be there.

Tales of the Cocktail Sneak Preview: Consider the Negroni … the perfect cocktail?

[Cross-posted from Talesblog.com.]

Do you remember your first Negroni?

[Photo by Jeremy Brooks, licensed via Creative Commons]

I do. It was way back in the early days of my cocktail journey, when I was a mere cocktail toddler. One of the many silly things I thought I “knew” then was that I hated Campari, the frighteningly red (colored with bugs, eww!) and bitter (gaah!) potion that I had heard Italians drank with soda. I tried a Campari and soda at the time and … it didn’t speak to me. (That was primarily because I wasn’t listening, and my palate still had some maturing to do.) Then someone made me a Negroni. I was hesitant — I don’t like Campari! — but I was assured, “You’re going to like this a lot more than Campari and soda. Trust me.” I don’t even remember who the bartender was, but I owe him my thanks. The Negroni is one of my very favorite cocktails, and we go through so much Campari at home now that I ought to start buying it by the case. I’m even enjoying cocktails (nay, especially enjoying cocktails) in which Campari is actually the base spirit.

It’s such a marvelous combination of ingredients — the bracing bite of the Campari, the aromatic and spiritous backbone of the gin, the sweetness and spice of the vermouth — that it lends itself to lots of tinkering. Some bartenders have made them with genever instead of gin, different styles of gin and bitters, or even a powerfully funky rum, and I’ve become a huge fan of its Bourbon-bearing cousin. As much as I enjoy those drinks, we keep going back to the original time after time. Before dinner, a Negroni just hits the spot, and is one of our primary preprandial quaffs.

If you share a similar love and fascination with the Negroni, Paul Clarke has a seminar for you. He’ll be moderating “The Negroni: An Iconic Cocktail” at Tales of the Cocktail next month, and this is one you’re not going to want to mix. I asked Paul why a whole seminar about this cocktail, and what tantalizing tidbits he could share with us with five weeks left to go.

“In thinking about this session, I’ve come to the conclusion that not only is the Negroni an excellent cocktail — it’s perhaps the PERFECT cocktail,” he said. “It balances potency, sweetness and bitterness with an elaborate flavor that can be consistently engaging and always open to interpretation and inspiring creativity.” Indeed — see the interpretations and inspirations above!

Paul will be joined by some distinguished panelists as well. “One of my panelists is Livio Lauro, a bartender originally from Florence who is now head of U.S. Bartenders Guild in Las Vegas, and who just completed a translation of Luca Picchi’s book about Count Negroni and the development of the Negroni cocktail; the history and background of the drink is his department. I will be talking about the cultural context of the Negroni and how it’s a ‘bridge-the-gap’ drink between not only the 19th century simplicity drinks and the turn-of-the-century vermouth/bitter drinks, but also between the European aperitif tradition and the American cocktail tradition. My other panelist, Jacques Bezuidenhout, is of course a San Francisco-based bartender and consultant and a bonafide Negroni fiend; he’s going to talk a bit about the Negroni’s enduring legacy, and how it’s a foundation drink for so much creativity and inspiration behind the bar.”

I tried to pry a bit more from Paul about what we’ll actually be tasting during the seminar, but that proved to be a bit more difficult. “We’re going to be serving a few variations on the Negroni theme, all using identical ingredients and proportions, with minor tweaks to demonstrate how what’s basically the same drink can appeal in several different guises. I’ll keep the precise details close to the chest, but expect a couple of interesting takes on the Negroni — including one that most people have never before tried, and that for the first time is available for a large audience.” I have a suspicion as to what the latter reference refers, but I’ll keep that close to the chest as well. If I’m right, you’re in for a major treat.

Paul, Livio and Jacques will be presenting “The Negroni: An Iconic Cocktail” on Thursday, July 21 at 12:30pm. Buy your tickets now before this one sells out.

Last Updated on Tuesday, 12 July 2011 22:15

Tales of the Cocktail Sneak Preview: David Embury and the Fine Art of Mixing Drinks



[Cross-posted from Talesblog.com.]

Undoubtedly there are many of you in the cocktail world — bartenders and non-professional enthusiasts alike — who know the name David Embury (1886-1960). His book, The Fine Art of Mixing Drinks, first published in 1948, is a highly respected tome on the essentials and basics of making a proper cocktail, with strong emphasis on balance and quality ingredients. Embury had a great passion for his subject matter, and studied the minutiae of cocktails for years. His book was highly influential on generations of cocktail enthusiasts and professionals, including many who were responsible for today’s cocktail Renaissance, and it elevated him to great levels of respect within the liquor profession.

There was just one thing — Embury never worked in the liquor profession, and was not a bartender. He was an attorney. To be specific, he was a senior tax partner at the Manhattan law firm of Curtis, Mallet-Prevost, Colt & Mosle.

As you can tell if you’ve read the book, Mr. Embury was quite the opinionated curmudgeon when it came to the proper mixing of cocktails (I’m sure some of us are quite kindred spirits), adding to the very entertaining writing style. Unfortuantely not much is known about his life, other than what’s in the book and in the obituary seen below. However, if you can track down veteran bartender Brian Rea, a regular attendee at Tales, start up a conversation; he has apparently personally served Mr. Embury during his career and has a few stories.


(click to embiggen)

David Embury was the pioneer for today’s non-bartenders who’ve made an important impact on the craft of the cocktail, and while he didn’t have professional experience, he had one quintessential quality which those who followed him possessed as well — passion. Freely admitting in his book that he never had been a professional in any aspect of the liquor business, he described himself “as a consumer and as a shaker-upper of drinks for the delectation of my guests.” That said, he added, “On the other hand, I have always possessed an insatiable curiosity about the whys and wherefores of many things and particularly of food and drinks.” I suspect he also began to notice the plummeting quality of cocktails in bars post-Prohibition, and found himself wondering the same thing many of us wondered in recent years: “Where and how can I get a decent drink around here?”

The same question frequently occurred to the moderator and presenter of the Tales of the Cocktail seminar “David Embury and the Fine Art of Mixing Drinks,” Robert Hess. Many of you know Robert through his website DrinkBoy, his long running cocktailian message board on MSN.com (and its successor, The Chanticleer Society), his own excellent book The Essential Bartender’s Guide: How to Make Truly Great Cocktails, “The Cocktail Spirit,”, his series of instructional videos on the Small Screen Network and, last but not least, his introduction to Mud Puddle Books‘ superb reprint of Embury’s classic magnum opus. Robert’s not an industry professional either — he works for Microsoft, in fact. However, the depth of his knowledge, the aforementioned list of credits and his own passion and inspiration in investigating what makes a great cocktail also make him the perfect host of this seminar.

When did all this start for you, Robert? “Having a strong culinary background and training, I decided to teach myself about cocktails — this was perhaps 1996. I had a couple of cocktail books, and I also ran into Paul Harrington’s ‘Cocktail’ website on HotWired.com, where he was rotating through a classic cocktail a week.” [Note: Interestingly enough, Paul Harrington -- whose HotWired.com website was excellent, as is his sadly out-of-print book Cocktail: The Drinks Bible for the 21st Century -- is also not a liquor industry professional. He's an architect.]

What will you be covering in the seminar? “Essentially I plan on starting out covering a little background about David Embury (of which there isn’t a lot, the bulk of what I have I pulled from his obit that his daughter sent me. [See below.] Then I’m going to talk about some of the basic concepts that David presented, and then sort of walk through the book one chapter at a time and try to pull out some interesting tidbit of information as we go.”

A lot of what Embury emphasizes is structure and balance in a great cocktail. What cocktails will you be using and serving as examples? “The drink we’ll be serving is the Sidecar, done three ways. One will be as Embury outlines it (8 parts brandy, 2 parts lemon, 1 part cointreau), another as ‘originally’ recorded (equal parts), and another as ‘my’ version (4 parts brandy, 2 parts cointreau, 1 part lemon). I chose this drink for a few reasons. One is because Embury’s version is quite a bit different than normally served, and it also specifically points out Embury’s mindset of the cocktail’s structure. The Sidecar is also probably the first drink that I cut my teeth on. This was before I really knew anything at all about cocktails.”

Why the Sidecar? “I think the drink [Paul Harrington] had the first week I saw the site was the Sidecar, and so I bought what I needed to make it using his recipe, as well as some of the other recipes I found. At the time, I figured that this thing called ’sour mix’ was an important cocktail ingredient, since so many recipes called for it (including one of the Sidecar recipes I had). So I of course picked up a bottle of that (although it was very confusing, since no product I found was labled ’sour mix,’ but a lot of them were ’sweet & sour mix,’ which I wasn’t sure if they were the same thing or not). And some recipe called for triple sec, while others called for this (rather expensive!) thing called Cointreau. So I picked them both up. And for lemon juice I picked up fresh and bottled. And then I went at it for a week or more, trying recipe, after recipe, after recipe.

“Several key learnings came out of this. First, was that sour mix was CRAP! So was bottled lemon juice. Fresh was clearly the only way to go. Second, was that Cointreau made a world of difference.

“And looking over a lot of different recipes, and then tweaking things a little on my own, I settled in on a 4-2-1 ratio as being what I felt presented a drink which I felt was perfectly balanced. Not tart, not sweet (to my tastes anyway, many say I have a sweet tooth), and smooth as silk.”

Will there be any other panelists joining you? “I’m flying solo on this one, but I suspect Audrey [Saunders] will probably participate a little as well.” Yay!

“David Embury and the Fine Art of Mixing Drinks” will be presented on Friday, July 22, 2011 from 3:30 to 5:00pm in the Grand Ballroom North of the Royal Sonesta Hotel. If you haven’t picked up your tickets yet it seems you’re too late — the seminar is SOLD OUT. However, when you arrive at Tales and register check for cancellations; if you can manage to grab a seat at this one, don’t miss the opportunity.

Last Updated on Tuesday, 12 July 2011 22:16

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